Showing posts with label Halloween. Show all posts
Showing posts with label Halloween. Show all posts

Tuesday, October 13, 2020

Ghost Stories...'tis the season

"Buttercup Cottage Halloween" photo by K.L. Wood
 Anyone who has followed my writing is well aware that I often incorporate a ghostly element into my stories. For example, my Middle Grade novel, Zephyr Stone and the Moon Mist Ghost will be published by Blue Ink Press https://www.blueinkpress.com/in 2021. As you may surmise, I also enjoy reading ghost stories and watching television programs and movies that center on otherworldly action and characters. Especially if they are based in true events. I am alone in this within my household of two, in which my husband has no such interest. Although he humors me from time to time, he mostly just finds something else to do while I watch or read my ghost stories. Strangely, enough, between the two of us, he is the one who has had more actual ghostly encounters. Encounters of which he is the first to acknowledge their validity and truly supernatural qualities. I wrote a poem about my proclivity towards ghost stories which was selected to appear in the 2017 edition of the College of the Albemarle's annual visual arts and literary journal, Estuaries, and present it, here, as my October offering. Enjoy! (As you learn a bit more about me and my obsession...I mean my interest.)
"Edinburgh Ghost Tour" re: Pixabay


Ghostwriter

by Kathryn Louise Wood

Why are you always reading about ghosts,
or watching their hunters on reality TV,
or searching for clues on the internet,
or writing them into your stories and books?

These are the questions my husband asked me,
forehead creased in spousal concern.
Well that’s a good question, I’ve given it thought,
and wondered, myself, at this strange fascination.

So, after some probing and inner reflection,
I think I’ve discovered the root of my quest.
Two things have always stirred deep in my psyche:
the spellbinding thought of a magical world,
and life after death where lives never end.

I’ve seen too much, and heard even more,
to dismiss the existence of bodiless souls,
spirits so free of earthly constraints,
they pass through walls and visit the living.

That non-corporeal realm seems magic made real.
When days are numbered—some many, some few—
the promise that all that we are is not lost
lends comfort, but also a thrill of intrigue
to think we are all so much more than we seem.

I salute those who find their Belief is sufficient
in resting assured of eternal existence.
I find that the Faith of My Fathers is bolstered,
renewed, and strengthened, and greatly supported
when the stardust of supra-natural beings
reminds us, all, we are made of the same.

Thanks for stopping by. Y'all come back, now! 
(And Happy Halloween!)

Kate



Thursday, October 26, 2017

Edgar Allan Po-e-try...Nevermore

"Raven" photographed by the author's husband, William F. Ahearn
With Halloween just a few days away, and front porches festooned with all things spooky, my thoughts turn to that creator of creepiness, that hero of horror, that master of macabre, Edgar Allan Poe. Mr. Poe has long embodied the spirit of the season and, so, I salute him this month with one of his most enduring poems, "The Raven."

I invite you to read these lines with new eyes. It's possible that you have not read them (or, at least, not all of them) since you were forced to, back in high school. With years of life experience coloring your interpretation, you may feel a different sense of dread than you did in your younger days. I find it fascinating how his use of a single word, "Nevermore", chills us to the bone. And, so, illustrated by a raven my husband photographed as it sat upon the top of our camper trailer in Yellowstone National Park, I bow to Poe's genius, and present:


The Raven

by Edgar Allan Poe

Once upon a midnight dreary, while I pondered, weak and weary,

Over many a quaint and curious volume of forgotten lore—

    While I nodded, nearly napping, suddenly there came a tapping,

As of some one gently rapping, rapping at my chamber door.

“’Tis some visitor,” I muttered, “tapping at my chamber door—

            Only this and nothing more.”



    Ah, distinctly I remember it was in the bleak December;

And each separate dying ember wrought its ghost upon the floor.

    Eagerly I wished the morrow;—vainly I had sought to borrow

    From my books surcease of sorrow—sorrow for the lost Lenore—

For the rare and radiant maiden whom the angels name Lenore—

            Nameless here for evermore.



    And the silken, sad, uncertain rustling of each purple curtain

Thrilled me—filled me with fantastic terrors never felt before;

    So that now, to still the beating of my heart, I stood repeating

    “’Tis some visitor entreating entrance at my chamber door—

Some late visitor entreating entrance at my chamber door;—

            This it is and nothing more.”



    Presently my soul grew stronger; hesitating then no longer,

“Sir,” said I, “or Madam, truly your forgiveness I implore;

    But the fact is I was napping, and so gently you came rapping,

    And so faintly you came tapping, tapping at my chamber door,

That I scarce was sure I heard you”—here I opened wide the door;—

            Darkness there and nothing more.



    Deep into that darkness peering, long I stood there wondering, fearing,

Doubting, dreaming dreams no mortal ever dared to dream before;

    But the silence was unbroken, and the stillness gave no token,

    And the only word there spoken was the whispered word, “Lenore?”

This I whispered, and an echo murmured back the word, “Lenore!”—

            Merely this and nothing more.



    Back into the chamber turning, all my soul within me burning,

Soon again I heard a tapping somewhat louder than before.

    “Surely,” said I, “surely that is something at my window lattice;

      Let me see, then, what thereat is, and this mystery explore—

Let my heart be still a moment and this mystery explore;—

            ’Tis the wind and nothing more!”



    Open here I flung the shutter, when, with many a flirt and flutter,

In there stepped a stately Raven of the saintly days of yore;

    Not the least obeisance made he; not a minute stopped or stayed he;

    But, with mien of lord or lady, perched above my chamber door—

Perched upon a bust of Pallas just above my chamber door—

            Perched, and sat, and nothing more.



Then this ebony bird beguiling my sad fancy into smiling,

By the grave and stern decorum of the countenance it wore,

“Though thy crest be shorn and shaven, thou,” I said, “art sure no craven,

Ghastly grim and ancient Raven wandering from the Nightly shore—

Tell me what thy lordly name is on the Night’s Plutonian shore!”

            Quoth the Raven “Nevermore.”



    Much I marvelled this ungainly fowl to hear discourse so plainly,

Though its answer little meaning—little relevancy bore;

    For we cannot help agreeing that no living human being

    Ever yet was blessed with seeing bird above his chamber door—

Bird or beast upon the sculptured bust above his chamber door,

            With such name as “Nevermore.”



    But the Raven, sitting lonely on the placid bust, spoke only

That one word, as if his soul in that one word he did outpour.

    Nothing farther then he uttered—not a feather then he fluttered—

    Till I scarcely more than muttered “Other friends have flown before—

On the morrow he will leave me, as my Hopes have flown before.”

            Then the bird said “Nevermore.”



    Startled at the stillness broken by reply so aptly spoken,

“Doubtless,” said I, “what it utters is its only stock and store

    Caught from some unhappy master whom unmerciful Disaster

    Followed fast and followed faster till his songs one burden bore—

Till the dirges of his Hope that melancholy burden bore

            Of ‘Never—nevermore’.”



    But the Raven still beguiling all my fancy into smiling,

Straight I wheeled a cushioned seat in front of bird, and bust and door;

    Then, upon the velvet sinking, I betook myself to linking

    Fancy unto fancy, thinking what this ominous bird of yore—

What this grim, ungainly, ghastly, gaunt, and ominous bird of yore

            Meant in croaking “Nevermore.”



    This I sat engaged in guessing, but no syllable expressing

To the fowl whose fiery eyes now burned into my bosom’s core;

    This and more I sat divining, with my head at ease reclining

    On the cushion’s velvet lining that the lamp-light gloated o’er,

But whose velvet-violet lining with the lamp-light gloating o’er,

            She shall press, ah, nevermore!



    Then, methought, the air grew denser, perfumed from an unseen censer

Swung by Seraphim whose foot-falls tinkled on the tufted floor.

    “Wretch,” I cried, “thy God hath lent thee—by these angels he hath sent thee

    Respite—respite and nepenthe from thy memories of Lenore;

Quaff, oh quaff this kind nepenthe and forget this lost Lenore!”

            Quoth the Raven “Nevermore.”



    “Prophet!” said I, “thing of evil!—prophet still, if bird or devil!—

Whether Tempter sent, or whether tempest tossed thee here ashore,

    Desolate yet all undaunted, on this desert land enchanted—

    On this home by Horror haunted—tell me truly, I implore—

Is there—is there balm in Gilead?—tell me—tell me, I implore!”

            Quoth the Raven “Nevermore.”



    “Prophet!” said I, “thing of evil!—prophet still, if bird or devil!

By that Heaven that bends above us—by that God we both adore—

    Tell this soul with sorrow laden if, within the distant Aidenn,

    It shall clasp a sainted maiden whom the angels name Lenore—

Clasp a rare and radiant maiden whom the angels name Lenore.”

            Quoth the Raven “Nevermore.”



    “Be that word our sign of parting, bird or fiend!” I shrieked, upstarting—

“Get thee back into the tempest and the Night’s Plutonian shore!

    Leave no black plume as a token of that lie thy soul hath spoken!

    Leave my loneliness unbroken!—quit the bust above my door!

Take thy beak from out my heart, and take thy form from off my door!”

            Quoth the Raven “Nevermore.”



    And the Raven, never flitting, still is sitting, still is sitting

On the pallid bust of Pallas just above my chamber door;

    And his eyes have all the seeming of a demon’s that is dreaming,

    And the lamp-light o’er him streaming throws his shadow on the floor;

And my soul from out that shadow that lies floating on the floor

            Shall be lifted—nevermore!


           Thanks for stopping by...y'all come back now.  (Happy Halloween!)
        Kate
 






Monday, October 24, 2016

Things That Go Bump in the Night...essential oils for Halloween

As Halloween draws nigh, our thoughts turn to all things spooky. And, yes, there is an
"Pumpkin King at Disneyland" By Imperpay at English Wikipedia
via Wikimedia Commons
essential oil for that. Lots of them, actually. Although we most often think of essential oils as means to promote physical healing and mental/emotional stabilization, they have also been used over the centuries and throughout myriad world cultures for protection against negative energies and evil spirits. 

Essential Oils traditionally thought to aid in protection:

Star Anise
Anisee (against disturbing dreams) 
Cajeput
Camphor
Carnation Absolute
Cedarwood Virginian (protection and purification of magical spaces, dispelling negative energies, exorcism and banishing rites)
Citronella (protection against Vampires! Well...bloodsucking mosquitoes, anyway) 
Clary Sage
Clove
Cumin
Eucalyptus (banishing negative energies)
"Cedarwood Essential OIl"
By Itineranttrade via Wikimedia Commons
Sweet Fennel
Frankincense
Galbanum (and banishing negative energies)
Geranium
Ginger
Hyssop
Juniper (and dispelling negative energies and entities)
Lime
True Melissa
Mimosa Absolute
Myrrh (and dispelling negative and harmful energies, psychic sensitivity, protection on journeys to the spirit realm)
Niaouli 
Oakmoss Resinoid
Palmarosa
Black Pepper
Pimento Berry 
Pine
Rosemary (and to assist transition into the spirit realm)
Spanish Sage
Spearmint (protection against negative energies during dream work)
Spikenard 
"Family Resemblance" by the author, KLWood
Tea-Tree
White Thyme
Vetivert 
Yarrow

So, regardless of your personal beliefs along the subject, you just may want to heat some of these up in your essential oil burner come Halloween night. It couldn't hurt. And, you never know, it just might help against: 

"Ghoulies and ghosties, And long-leggedy beasties, And things that go bump in the night!"

Have a good couple weeks, dear Reader. Thanks for stopping by...y'all come back now! (And Happy Halloween!)
Kate




Wednesday, October 28, 2015

Stingy Jack...the Jack O' Lantern's spooky history

Photo by By Petar MiloÅ¡ević (Own work) via Wikimedia Commons
So, does your Jack O' Lantern sport a Happy face? Creepy face? Goofy face? Donald Trump (or other presidential candidate of choice?) Harvest scene? Broom-riding Witch? Owl? Bats? Or, as we did for our daughter's October wedding thirteen years ago--Hearts? Bride and Groom? Monogram? Anyway you carve it, a Jack O' Lantern is an integral part of any Halloween celebration in most parts of America. Over the years, the simple, classic, snaggletoothed grin has transformed into complicated but often amazing vegetable art. BUT...Where did it all begin? When? And Who is Jack?

Where--- Ireland (well, of course.)
When-- Long ago (hundreds of years per my research.)  
Who-- Stingy Jack. 
By Toby Ord (Own work) via Wikimedia Commons

Seems there was this Irish fellow named Jack who spent a few years consorting with the Devil without paying the Devil his due. It all began when he invited Satan to a pub to share a pint and a bit of unholy camaraderie. At the end of the evening Jack turned out his pockets, empty except for a small silver cross, and showed his companion he had no way to pay the bill. The Devil wasn't in the habit of carrying around currency so Jack proposed that His Lowness could use some supernatural power and turn himself into a coin to pay the barman. And he did. But, instead of paying for the drinks, Jack slipped the coin into his pocket and exited the public house. Not sure how he got away with that, but perhaps the pub's owner recognized Jack's drinking buddy and decided not to press the issue. Jack was careful to put the demonic coin into the pocket holding the cross so, of course, the Devil could not return to his original form and escape. Jack made a deal with the Devil that he would release him under the condition he would not bother Jack for one year and he would not steal his soul when he died. Deal. Devil released.
"Our Scary Tree" photo by Terry Wood (author's brother)

By Bodrugan (Own work) via Wikimedia Commons
A year passed and the Devil once more shared a day with our Jack. This time Jack tricked him into climbing a tree to retrieve a piece of fruit. Perhaps Satan was tempted by the memory of Eden's Forbidden Fruit. While the Devil climbed into the tree's branches, Jack carved a cross into its trunk preventing the Horned One's escape until he promised not to bother Jack for ten more years. Deal. Devil released. (It's not clear how he removed the sign of the cross, trickier than just taking a cross out of one's pocket, but perhaps he added a few more marks rendering the cross into something less holy.)

As with all mortal beings Jack died and, true to his word, the Devil did not steal his soul and take him to Hell. But because of his previous lifestyle consorting with Satan, neither was he allowed into Heaven. Jack returned to the Devil for help but was merely given a lump of burning coal to light his way as he wandered eternally and aimlessly across the Earth. 

Seeing this unfortunate and creepy soul 
By Wyscan, via Wikimedia Commons
haunting the countryside, the Irish began calling him Jack of the lantern. Jack O' Lantern. Kind of like O'Brien or O'Malley. To keep spooky Mr. O'Lantern as well as evil spirits away from their doors especially on All Hallow's Eve, they carved out lanterns from turnips, gourds, rutabagas, and beets. The weird carved faces were meant to scare the spirits away. When Irish immigrants reached American shores and discovered pumpkins, they were able to carve out even more effective lanterns using those larger gourds.

By MANSOUR DE TOTH  (Own work) via Wikimedia Commons

Happy pumpkin carving, my friends, and Happy Halloween! (Watch out for Jack though. Centuries of aimless wandering can make for a pretty testy spirit I think.)

Have a good couple weeks, dear Reader. Thanks for stopping by...y'all come back now! 

Kate


Wednesday, October 30, 2013

An 18th Century Halloween Treat, from our special guest blogger, Mr. Daniel Defoe (1660-1731)

"Daniel Defoe"  Unknown, in the style of Sir Godfrey Kneller 
Thanks to the miracle of the Internet, I am able to read and share with you fascinating though obscure literary treasures. The Project Gutenberg is an excellent source for reading these pieces in their original form and the one I present to you, today, is a ghost story written by Daniel Defoe (of Robinson Crusoe fame) telling of a ghostly encounter recounted to him by a Mrs. Bargrave in Canterbury, England in the year 1705. Defoe presents the tale as a true event though there is some speculation to the contrary. Judge for yourself after reading my following edited version or, better yet, read the original at:
http://www.gutenberg.org/ebooks/36587
(Be sure to read the footnotes following my signature.)

Mr. Defoe tells us Mrs. Bargrave had not seen her friend, Mrs. Veal, for over 2 years and attributed her absence with the forgetfulness of a woman busy with her husband's new-found prosperity. Mrs. Bargrave is sitting alone in her home attending to her sewing-work when...
... she hears a knocking at the door. She went to see who was there, and this proved to be Mrs. Veal, her old friend, who was in a riding-habit. At that moment of time the clock struck twelve at noon...
"Henrietta Cavendish Hollles" by Sir Godfrey Kneller
(digital enhancement by K. Wood)
Madam, says Mrs. Bargrave, I am surprised to see you, you have been so long a stranger; but told her, she was glad to see her, and offered to salute her; which Mrs. Veal complied with, till their lips almost touched; and then Mrs. Veal drew her hand across her own eyes, and said, I am not very well; and so waived it. She told Mrs. Bargrave, she was going a journey, and had a great mind to see her first. But, says Mrs. Bargrave, how came you to take a journey alone? I am amazed at it, because I know you have a fond brother. Oh! says Mrs. Veal, I gave my brother the slip, and came away because I had so great a desire to see you before I took my journey. So Mrs. Bargrave went in with her, into another room within the first, and Mrs. Veal sat her down in an elbow-chair, in which Mrs. Bargrave was sitting when she heard Mrs. Veal knock. Then says Mrs. Veal, My dear friend, I am come to renew our old friendship again...
Then Mrs. Veal reminded Mrs. Bargrave of the many friendly offices she did her in former days, and much of the conversation they had with each other in the times of their adversity; what books they read, and what comfort, in particular, they received from Drelincourt's Book of Death, which was the best, she said, on that subject ever written... 
Says Mrs. Veal, Dear Mrs. Bargrave, if the eyes of our faith were as open as the eyes of our body, we should see numbers of angels about us for our guard. The notions we have of heaven now, are nothing like what it is, as Drelincourt says; therefore be comforted under your afflictions...
She would often draw her hand across her own eyes, and say, Mrs. Bargrave, do not you think I am mightily impaired by my fits? No, says Mrs. Bargrave, I think you look as well as ever I knew you... 
And to divert Mrs. Veal, as she thought, took hold of her gown-sleeve several times, and commended it. Mrs. Veal told her, it was a scowered silk (see my note below*), and newly made up...
She said to Mrs. Bargrave, she would have her write a letter to her brother, and tell him, she would have him give rings to such and such; and that there was a purse of gold in her cabinet, and that she would have two broad pieces given to her cousin Watson...
Photo by K. Wood
Then Mrs. Veal asked for Mrs. Bargrave's daughter; she said, she was not at home: But if you have a mind to see her, says Mrs. Bargrave, I'll send for her. Do, says Mrs. Veal. On which she left her, and went to a neighbour's to see for her; and by the time Mrs. Bargrave was returning, Mrs. Veal was got without the door in the street, in the face of the beast-market, on a Saturday, which is market-day, and stood ready to part, as soon as Mrs. Bargrave came to her. She asked her, why she was in such haste. She said she must be going, though perhaps she might not go her journey till Monday; and told Mrs. Bargrave, she hoped she should see her again at her cousin Watson's, before she went whither she was going. Then she said, she would take her leave of her, and walked from Mrs. Bargrave in her view, till a turning interrupted the sight of her, which was three quarters after one in the afternoon...
On Monday morning she sent a person to captain Watson's, to know if Mrs. Veal was there. They wondered at Mrs. Bargrave's inquiry; and sent her word, that she was not there, nor was expected. At this answer Mrs. Bargrave told the maid she had certainly mistook the name, or made some blunder. And though she was ill, she put on her hood, and went herself to captain Watson's though she knew none of the family, to see if Mrs. Veal was there or not. They said, they wondered at her asking, for that she had not been in town; they were sure, if she had, she would have been there. Says Mrs. Bargrave, I am sure she was with me on Saturday almost two hours. They said, it was impossible; for they must have seen her if she had. In comes Capt. Watson, while they were in dispute, and said, that Mrs. Veal was certainly dead, and her escutcheons (see my note below*) were making. This strangely surprised Mrs. Bargrave, when she sent to the person immediately who had the care of them, and found it true. Then she related the whole story to captain Watson's family, and what gown she had on, and how striped; and that Mrs. Veal told her, it was scowered. Then Mrs. Watson cried out, You have seen her indeed, for none knew, but Mrs. Veal and myself, that the gown was scowered. And Mrs. Watson owned, that she described the gown exactly: For, said she, I helped her to make it up. This Mrs. Watson blazed all about the town, and avouched the demonstration of the truth of Mrs. Bargrave's seeing Mrs. Veal's apparition.
Vintage Halloween Postcard

And so, dear Reader, I am sure you join me in saying, "Thank you, Mr. Defoe, for reaching to us beyond the grave to share this story with us!"


Happy Halloween to All!



Have a good week, dear Reader. Thanks for stopping by...Y'all come back now!

Kate

*Footnotes:


*Scowered silk is raw silk that has been put through a special washing to render it smooth and silky.

*Escutcheons are engravings such as family crests which I gather, in this case, were for Mrs. Veal's gravestone.


**Special (appropriately strange) Footnote regarding the 2 portraits I found to illustrate this post**

I found these portraits with separate Internet searches. Defoe's portrait I found in Wikipedia.org while searching for "Daniel Defoe" and the portrait of the woman wearing a riding habit (which looks a lot like striped, scowered silk to me) at http://jeannedepompadour.blogspot.com/ while searching for "Painting, 1705 Riding Habit." The odd thing is that both paintings are attributed to the same artist, Sir Godfrey Kneller (although the artist of this Defoe portrait hanging in the National Maritime Museum in London is officially unknown, it is listed as being in the style of Kneller.) Anyway...I thought it was a lovely, strange coincidence to share with you.

(Per the Project Gutenberg terms of use: "This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org" )






Wednesday, October 23, 2013

Swamp Spirit, a Halloween excerpt from Sea Snow-- the gentle haunting of a 19th century lighthouse

By Usher, John, Jr. -- Photographer [Public domain], via Wikimedia Commons
So, here we are just a week away from Halloween! I thought it would be fun to share an excerpt from my novel, Sea Snow-- the gentle haunting of a 19th century lighthouse, in which Rose Martin tells us of a ghost story she heard at a village celebration on Halloween Night, 1899. The teller of the tale is her dear friend, Jenny, the local mid-wife who lived in Rawlings, Massachusetts since her escape from slavery in South Carolina many years before.

Jenny raised her gray head and opened her eyes. She lifted her hand, pointing a long finger toward the people facing her. Her black eyes reflected the pumpkin light as she silently turned a complete circle, her pointing finger slowly passing over everyone in turn. I felt an involuntary shiver as her finger pointed my way. Complete silence fell upon us—even the stifled laughter and clearing of throats ceased.
“You,” she began, her voice sounding a note of authority I’d never heard before, “must hear the tale I tell tonight.”
We were all under her control—all gladly relinquishing our own will to fall under the spell of this old woman, this former slave. 
“It happened a long time ago, back when I was a young’n, hiding out in a South Carolina swamp. There came a moon mist— one of those nights when the moon is full and bright and the mist rises thick above the water. Everything glows milky-white and you can’t tell east from west or south from north. It’s on a night of the moon mist that spirits, lost in the swamp, return to look for their way home, or search for whatever it was they couldn’t find when they were living. Something (I never knew what it was,) woke me in the middle of the night and I got up from my cot and looked outside. The camp was floating in moonlight. I pulled a shawl ‘round my shoulders and stepped just outside my door. I knew I shouldn’t go out in the moon mist, but it was so beautiful and strange, all at the same time. I had to get a little closer to it. That’s when I heard a soft shuffling near by. I stepped back into my doorway and peered through the swirling mist. It was Jimmy! I wondered what Jimmy was up to. He was about nineteen, just a few years older than me, and I kind of fancied him.
By Love Krittaya (Own work) [Public domain], via Wikimedia Commons
“ ‘Jimmy!’ I whispered.
“He didn’t answer.
“ ‘Jimmy! What are you doin’ out there?’
“I saw his dark shape swim by in the whiteness.
“ ‘Jimmy!’ I whispered as loud as I could.
“He paid me no mind. I looked back inside my hut and then outside at the moon mist. Foolish child that I was, I pulled my shawl tighter ‘round me and walked out.
“ ‘Jimmy!’ I called a little louder. ‘Where’d you go?’
“A rustling in the bushes caught my ear and I walked toward it. Just ahead, I could make out Jimmy’s shape moving before me. I knew for sure it was him, ‘cause he walked with a limp—something he’d got from the overseer who’d broke his ankle the first time he tried to run away.
“ ‘Jimmy!’ I called out loud this time, but my voice was buried in that moist cottony air.
“I followed his lop-sided gait, until I came to the edge of a lagoon. He was nowhere to be seen. I walked around the water’s edge, shivering every time a finger of Spanish moss draped over my shoulder. Here and there, cypress knees tripped me as I wandered about. 
“ ‘Jimmy! Where are you?’ I cried out.
“Then, out of the soup, I heard an owl hooting.
“ ‘Who—who, who, who?’ it asked.
“I couldn’t make out where it was. I turned in a circle and it sounded like it was coming from all sides of me at once. I was getting pretty scared by that time! Then, I heard a soft lapping sound out in the water and saw a greenish light glowing through the mist. The sound and the light grew closer and I stood, planted like a tree, on the bank. I tried to run but my legs wouldn’t move!


"Ramona" by F.L. Harper
“As it grew near, I could see a paddle dipping into the water just behind the light. The light was coming from inside a canoe, though I couldn’t see any kind of lantern. I stood frozen as it came within a few feet of me. Then, I could see what it was that held the paddle. It was a beautiful woman—long, black braids hanging down, a necklace of shells circling her neck, and colored beads sewn onto her tan leather dress. As she came closer, I saw some white feathers stuck here and there in her braids. The light from her canoe cleared a space in the mist and I could see her real plain. There came a sloshing noise and I saw Jimmy, on the other side of the lagoon, wading through the water toward her.
“ ‘Jimmy! What you doin?’ I called to him.
“He didn’t look my way—just kept his eyes on the Indian woman.
“ ‘Jimmy! Get yourself on back here!’ I cried.
“Jimmy was knee-deep in the water, and only a couple feet from the canoe.
“ ‘Jimmy! Don’t you know she’s a swamp spirit? Get away!’ I screamed.
“The woman placed her paddles in the canoe and reached her hand out to him.
“ ‘No!’ I hollered, but my voice sounded puny even to my own ears.
“Jimmy took her hand and climbed into the canoe. The light went out and I couldn’t see anything at all in the moon mist. A flapping sound came from the direction of the canoe and a snow-white owl swooped over me.
By David Syzdek (Snowy Owls (4 of 22)) [CC-BY-SA-2.0
 (http://creativecommons.org/licenses/by-sa/2.0)],
via Wikimedia Commons (digital enhancement by KLWood)
“I started running but I had no idea where I was or where the camp was anymore. Every time I stopped to catch my breath, that owl flew at me, pushing me ahead. Then I stumbled into camp. That bird herded me all the way home! I ran into my hut and jumped into bed, pulling the covers tight over my head.
“Next morning, when folks were up and about, word spread Jimmy was gone. I was scared to tell anybody what I’d seen and I’d have thought maybe I’d dreamed it up except when I went to make up my bed, I saw something glowing white under my blanket. I pulled back the covers and this is what I found.”
Jenny reached into her pocket and withdrew a large, white feather and held it before her. Lantern light danced across its snowy surface and the whole room gasped as one body. 
“We never heard a word from Jimmy again but, later on, folks said they’d seen two white owls flying around the swamp when the mist was thick and the moon was bright.” 

Have a good week, dear Reader. Thanks for stopping by...Y'all come back now!

Kate